The Music Show
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The Music Show
All kinds of music and all kinds of musicians in conversation with Andrew Ford.
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ELISION Ensemble turn 40 and Rosie McDonald on The Go Twos and Nigel Lever
ELISION Ensemble began as a Melbourne new music ensemble, but have gone on to become international in both focus and reputation, building enduring col...
"An ecosystem for song people": 25 years of Koori Radio
Guringai writer and creator Kaylene Langford is behind the mic for NAIDOC Week, with a celebration of Koori Radio for its 25th anniversary.
"It'...
Cover Story: Can’t Buy Me Love
It’s almost impossible to choose a Beatles song for Cover Story (we’ve been putting it off for three series). The band’s productivity in 1964 alone wo...
Stephen Foster: The bicentenary of the father of American music
Stephen Foster's songs remain among the best known music to come out of the United States, with classics like Oh! Susannah, Hard Times (Come Again No...
Cover Story: Never Tear Us Apart
Never Tear Us Apart began its life as a bluesy demo by INXS’s keyboardist and songwriter Andrew Farris. Frontman Michael Hutchence gave it lyrics, pro...
Embracing the choir: Alina Pash returns to Ukraine and Kristina Olsen takes up choral composition
Alina Pash was last on the show back in 2021, before the Russian invasion of her country began. At that point, Pash said that she wanted to stay in Uk...
Cover Story: Wonderwall
A love song, a football anthem, and a weapon of war for men with acoustic guitars: Noel Gallagher said he thought Wonderwall was an annoying song when...
A solo debut from Trials and Isobel D'Cruz Barnes is working In Shadows
As one-half of A.B. Original, Trials was responsible for one of the key moments in Australian hip-hop over the last decade with the album Reclaim Aust...
Cover Story: Will You Still Love Me Tomorrow
Cover Story makes a long overdue visit to the songwriting of Carole King, who with her then-husband Gerry Goffin wrote Will You Still Love Me Tomorrow...
David Mills' glamour and despair and Lawrence Power shines a light on British music
Comedian David Mills takes his acerbic humour into the world of cabaret for this year's Adelaide Cabaret Festival. He joins Andy to talk about pessimi...
Different versions of Daniel Avery and clipping's experimental approach to hip-hop
Daniel Avery has been filling dancefloors around the world for more than a decade, both as a dj and with his own critically acclaimed records. On his...
Cover Story: Jolene
Every great song gets covered. Sometimes beautifully, sometimes badly, and sometimes by people who clearly should have known better.
Cover Story...
Miles Davis: a centenary
A portrait of the legendary trumpeter Miles Davis on his centenary. We hear how Miles not only changed music but also the lives of those he played wit...
A tribute to Sonny Rollins, Mahalia Barnes sings The Rose, and Cass McCombs live in the studio
We pay tribute to Sonny Rollins, who died this week at the age of 95. Rollins played with many of the greats of jazz, but was himself something of lon...
Hilary Geddes' Redleaf and Kae Tempest's Self Titled
Hilary Geddes is a guitarist of understated virtuosity, and a composer of music that takes jazz into a rolling, lush, environmental register. Her late...
Barry Conyngham's rarely performed classic & Mogwai and Tortoise both celebrate new music and big anniversaries
Barry Conyngham’s piece Ice Carving isn’t performed very often, and almost never in its intended configuration - a solo violinist surrounded by an aud...
Folk fixtures: Judy Small's Swansongs, and the National Folk Festival at 60
Judy Small is a fixture of the Australian folk scene, a writer and performer of songs about politics and people. She joins Andy to recap the thirty-is...
Xiu Xiu take on Eraserhead and Pinchgut Opera's first murder
Xiu Xiu has been a leading figure in American avant-pop for more than two decades: combining abrasive noise and extremely dark subject matter with a c...
The mystery and music of Connie Converse
American Singer-songwriter Connie Converse would be hard enough to pigeonhole had she not disappeared without a trace in 1974. She wrote folk songs, a...
Raven Chacon's Pulitzer Prize-winning Voiceless Mass and Cam Butler takes on the grand organ
Voiceless Mass, by Raven Chacon, can be performed in 'any space of worship with high ceilings and pipe organ' and plays with the amplifying power of a...
The prodigy, the President and the piano: Ruth Slenczynska 1925-2026
The American pianist Ruth Slenczynska, who died last week at the age of 101, was a childhood prodigy (although she denies the label). That came at a h...
Anna Meredith wants her music loud and the musicality of Dorothy Porter
Scottish composer Anna Meredith creates a meeting place between the concert platform and the rave in her music. Her piece for electronics and string q...
Music Now & Then: Jeremy Sams
Jeremy Sams is a composer, theatre director and a long-time friend of the show. He's the latest in our series of long conversations with old friends....
ZÖJ deafen the devil's ear and The Three Seas embrace naivety
ZÖJ, the collaboration between Gelareh Pour and Brian O'Dwyer perform the opening track from their new album, May The Devil’s Ear Be Deaf, live in the...
John Darnielle: meaning, musicals, and The Mountain Goats
The Mountain Goats started out as a solo project by then-psych nurse John Darnielle recording directly into a boombox in his room. Their latest album...
Going gospel with Robert Finley and going ham(mond) with Jake Mason
Robert Finley's first album was called Age Don't Mean A Thing, which was fitting because he released it in his 60s. Before that, he was a military man...
Hitchock and Herrmann: the thrilling partnership that shaped an era of cinema
Film composer Bernard Herrmann’s career started and ended with classics: his first film was Orson Welles’s Citizen Kane (1941), his last was Martin Sc...
Sparks rennaisance continues and Mo'Ju's rebel heart
There aren’t many bands that are still going after 50 years, but Sparks, who had their first big hit back in 1974 with This Town Ain’t Big Enough For...
Tabaran is a Sound of Australia and Carl Vine's final collaboration with the Goldner Quartet
Tabaran, the 1990 album by Not Drowning, Waving and the musicians Of Rabaul, Papua New Guinea featuring Telek, has been inducted into the National Fil...
Disney's Renaissance man Alan Menken
Alan Menken’s name is synonymous with Disney’s 1990s purple patch: a so called ‘renaissance’ of the animation empire’s fortunes, where a run of films...
Pits, picket lines and pop music: the 1984-5 UK miners' strike
We're digging into the archives for a special program looking at the role that music played in the UK miners' strikes: a political, industrial and per...
Flinders Quartet and Melody Eötvös plan ahead, Cassie To gets personal, and Mantis shares his award-winning hip-hop
Zoe Knighton of Flinders Quartet is undertaking a multi-year project with composer Melody Eötvös. It's fittingly called The Eötvös Cycle, and The Musi...
What Did You Hear: listening to the music of Bob Dylan
Writing about and scholarship of Bob Dylan tends to focus on the words - he's a Nobel Prize winner for literature, after all - but his music deserves...
Riccardo Tesi and Giua open their retablos & Rafael Anton Irisarri searches for connection
Riccardo Tesi and Giua are bringing their melodeon, guitar, and Italian folk tradition to Australia for a series of concerts called Retablos. These ar...
Music Now & Then: Andy Irvine
Irish singer and multi-instrumentalist Andy Irvine has been coming on The Music Show for over thirty years, so he's the perfect person to start our oc...
Violinist María Dueñas and percussionist Claire Edwardes
Spanish violinist María Dueñas makes her Australian debut with the Melbourne Symphony Orchestra, playing Beethoven’s Violin Concerto. Signed to Deutsc...
Live at WOMADelaide 2026: Ganavya, La Perla and the Zawose Queens
On stage at WOMADelaide, the world's festival on Kaurna Country, Andy hosts bands from Tanzania, Colombia, and India via the USA. The Zawose Queens, L...
The magnificent voices of Annahstasia and Åkervinda
First discovered as a 17-year-old, Annahstasia found the music industry had a vision for her that she didn't recognise. Leaving the industry behind ga...
Ron Sexsmith and Mary Coughlan
Ron Sexsmith is a Canadian singer-songwriter who more than earns the title of tunesmith with his melodies and storytelling. He's back on The Music Sho...
Marisa Anderson's UnAmerican Folk Music and paying tribute to Éliane Radigue
Marisa Anderson says she learned to play the guitar three times. Once, as a young learner of classical guitar as a child. Then, being exposed to folk...